Georgie B interview on Colourful Radio 13-December-2020
Georgie B (AKA George Bromfield), has been singing, writing, producing and DJ’ing within the music industry for the past 40 years, starting with the hit 80âs jazz funk band Second Image and now with the award winning Groove Association.
After leaving Second Image in the late 80’s, Georgie B continued to work tirelessly within the music industry, sharing the stage with many distinguished artists such as Womack & Womack, Bobby Womack, Jean Carn, MAZE (ft. Frankie Beverly), Reel 2 Reel, Phil Fearon, Rod Temperton (writer of ‘Thriller’ & ‘Rock With You’), Paul Weller and many more. Plus a plethora of live and studio session performances around the globe.
In April 2011, Georgie B was invited to sing (with Second Image) at the 02 Theatre in London, as part of the 30 YEAR CELEBRATION OF BRIT FUNK. This sold out concert was a ‘must attend’ event for the soul family placing Georgie alongside other great British soul / jazz funk acts such as Incognito, Imagination, Beggar & Co/Light Of The World, Junior Giscombe, David Joseph and Central Line.
As an accomplished singer / songwriter / producer and with the resurgence of the British âJazz Funkâ scene, Georgie felt the time was right to go solo. So In 2011 he put together his GROOVE ASSOCIATION project and âLet’s Break The Iceâ was his first release, this was soon followed by ‘Old Skool Magic’. Georgie B released his debut album in April 2012 entitled ‘LET’S BREAK THE ICE’. This critically acclaimed album hit number 3 in the UK Soul Chart and paved the way for 3 more album releases, ‘3AM’. ‘Soul Family Affair’ and ‘More And More’.
On 28th November 2020 Georgie B released ‘IT’S BEEN SO LONG’ his 5th studio album to date, featuring 12 tracks of classic soul / jazz fusion and RnB flavas! (With a sprinkling of Lovers Rock too), the perfect way to showcase his song writing production talents. This new album looks set to be another #1 with massive interest from not only UK and Europe, but USA and Japan too!
Raheem DeVaughn
Raheem DeVaughn interview on Colourful Radio 06-December-2020
Although some have compared his smooth vocals to the likes of music legends such as DâAngelo and Donny Hathaway, all while having the swag of a modern day Marvin Gaye, Raheem DeVaughn has carved out his own place amongst R&B royalty as the âLove Kingâ of the Neo-Soul universe. Raheemâs impressive career has been a living testimony to the benefits of dedication and commitment. Now entering his third decade at the top of the industry, Raheemâs raw talent has led his loyal fan base on an incredible musical journey ever since his soulful voice found the ears of the masses on his debut album, The Love Experience in 2005.
So much for a sophomore slump â DeVaughn followed up the initial success of his debut album by topping it with his second project, Love Behind the Melody in 2008. The album, which featured classic hits such as the Grammy nominated âWomanâ and âCustomerâ was one of the most critically acclaimed albums of the year and launched Raheem into superstardom â reaching number one on the Top 10 R&B/Hip-Hop albums chart and peaking at number 5 on the US Billboard 200 chart. In addition to the amazing response, Love Behind The Melody yielded two BET Award wins and two Grammy nominations.
Since then, the self-proclaimed âR&B hippie neo soul Rockstarâ has produced other gold standard albums, including the critically acclaimed release titled The Love & War Masterpiece in 2010, which earned a Grammy Nomination for Best R&B Album in 2011.
Following the release, Raheem decided to become an independent artist. In 2013, he released, A Place Called Loveland, that garnered notable singles, âLove Connectionâ and âMaker Of Loveâ in collaboration with Boney James.
In 2015, Raheem returned with the well-received Love Sex Passion album. The album featured fan favourites and chart-topping singles such as âQueen,â âTemperatures Rising,â and âAll I Know (My Heart).â
Still going stronger than ever, the gifted singer/songwriter has been in high demand â releasing his sixth and seventh studio albums, respectively, Decade of a Love King, in October 2018 and The Love Reunion, nine months later â each featuring their own smash Billboard hit singles âDonât Come Easyâ and âJust Right,â (Top 5 and Top 10, respectively). Both records gave Raheemâs fans more of his vintage, smooth sound, while providing a new collection of timeless, sexy bedroom anthems for couples everywhere.
In addition, due to the triumphs of the albums and their smash hit singles, Raheem DeVaughn landed at #7 on the Top 10 Most Played Urban AC Artists for 2019, ranking as the #1 male Independent Urban AC Artist Of The Year, according to Mediabase. He also was recently nominated for Outstanding Male Artist at the NAACP Image Awards in March 2019. In 2020 The Love King of R&B, Raheem DeVaughn joined SRG/ILS Group as the new Director of A&R.
The current state of civil and social unrest during the middle of a global pandemic has inspired Raheem to respond. He has always shared the sentiment that music must reflect the times. Therefore, he has collaborated with the notable producer collective known as The Colleagues to present his 8th Studio Release titled, What A Time To Be In Love. The lead single titled, âMarvin Used To Say,â honors the vision of one of his musical influence and those fighting for social equality.
Raheem is a man of action and of the people. He recognizes the need to reflect the change he wants to see. Raheem has become world renown for his philanthropy efforts as much as his work behind the mic. While todayâs social climate has just now begun to influence some to get involved with promoting change, Raheemâs charity work has been serving as an instrument of hope and empowerment for years. In 2011, the District Of Columbia recognized and awarded Raheem DeVaughn the Key To The City for his commitment to service. In 2014, he founded The LoveLife Foundation â a foundation dedicated to improving lives through social, educational and wellness development. Within, as well as outside of LoveLife, Raheem believes in and fights for causes dealing with issues related to womenâs rights, domestic violence prevention, education, and HIV/AIDS awareness in partnership with the AIDS Healthcare Foundation (AHF) among others. Raheem and The LoveLife Foundation sprang into action during the global COVID-19 pandemic by feeding first responders throughout the Washington, DC metropolitan area. In addition, he collaborated with legendary rappers, Darryl McDaniels aka DMC of Run DMC and Doug E. Fresh on a song appropriately titled, âBehind The Maskâ as part of the Hip Hop Public Health initiative to encourage the use of masks to stop the spread of the pandemic.
Undeniable talent. Selfless Service. Unconditional Love. Like love, Raheem believes that music is a vibration to elevate the consciousness of the listener. As he operates from a place of authenticity, Raheem is and will continue to be an inspiration to people across the globe.
Tiana Major9
Tiana Major9 interview on Colourful Radio 29-November-2020
Tiana Major9
âTiana Major9 has a voice that is potent in its rich, unfaltering nature.â – The Guardian
âBlessed with soulful, soaring vocals and the ability to rap with true charismaâ – British Vogue
Tiana Major9 â hailed as âa singular voice in British black soulâ by VICE â released her new EP, AT SIXES AND SEVENS via Motown Records.
“To be at Sixes and Sevens means to be at a state of total confusion…Love is confusing,â explains Tiana Major9, who has been giving fans a glimpse into the making of the EP through an autobiographical, four-part miniseries. BEHIND AT THE SIXES AND SEVENS explores the evolution of Tiana, with each episode melodically chronicling the expansion of her sound, artistry, perspective and journey since signing to Motown.
Praising her as a âone to watchâ, The Guardian spoke of her âvoice that is potent in itâs rich, unfaltering natureâ on her single ââThink About You (Notion Mix)â sharing a story of unrequited love, showcasing Tianaâs lyrical edge and sonically borrowing from her Jamaican background, as she seamlessly interlaces the chill of reggae with the soul of jazz.â AT SIXES AND SEVENS also includes âCollide,â her collaboration with EARTHGANG, which has earned over 32 million combined global streams to date. Named as one of the Best R&B Songs of 2019 by VIBE, it was the lead single from the acclaimed Queen & Slim: The Soundtrack. Tiana and EARTHGANG performed the track on the âThe Late Show with Stephen Colbert,â at the Soul Train Awards â19 and at Billboard âWomen In Music 2019.â
Premiering âLucky,â another track from the EP, SPIN said, âThe enchanting track…channels the best of early â00s R&B: crispy harmonies, a flex of percussion and a voice weâre glad made its way to the U.S.â
Tiana wrote the song with Jeff âGittyâ Gitelman (J. Cole, H.E.R., Anderson .Paak), who also produced, and PRGRSHN (WSTRN, Stormzy, Wizkid).
Earlier this year, Tiana featured on âRainfall,â a track from Stormzyâs new album, Heavy Is The Head, which topped the Official Albums chart in the U.K. A Vevo DSCVR artist, Tiana roots her bold blend of future-facing R&B, enduring soul, and hip-hop attitude in boundless jazz eloquence twisted up with saucy East London inflection and a touch of Jamaican spirit. Billboard declared, âTiana Major9 is one to watch in 2020â and Marie Claire said, âthe rising songstress is one to watch and take notes from…â
Seeking a creative outlet for his own artistry, Darryl stepped out front to lead the musical enterprise- AgapeSoul. Earning comparisons to world class r&b/jazz ensembles Incognito and Brand New Heavies, AgapeSoulâs Believe In Love hit #1 on the UK Soul Chart as well as being chosen as 2012 âs #7 Best Album of the Year.
Fuelled by Andersâ desire to create something positive at a time when there is so much negativity, Conversations made itâs Big Beautiful Noise with two #1 singles âKite” and âThe Way That We Loveâ on both the UK Soul Chart and the Indie Soul Chart with still no signs of slowing down.
EMiliYAH interview on Colourful Radio 08-November-2020
Born in Poland into a family with strong artistic roots. From a very young age trained to be a classical pianist, she rebelled and chose different ways and genres to express herself from Soul, Jazz & Blues. She never studied how to sing, even though both her parents were worldwide known opera singers.  Her music journey started a while ago in Poland where she made her first recordings and performed on TV & big stages with well-known artists and composers. After becoming a mum & dealing with personal circumstances, her career was put on hold.  In 2007 she immigrated to the UK to “build a better future” for her only daughter and to continue pursuing her own dreams. Music was always her main focus, love and passion so she was not able to escape it.  As she had a long break from singing and writing, she had to start everything from the beginning. 1st step was – karaoke bars, open mics etc. She never expected that music which will really pick her spirit up and bring her back to life will be Reggae.  Growing up in a post-communist country and being raised by strict parents, EMiliYAH never really had a chance to listen to a lot of music. But she always found it easy to come up with her own melodies instead.  Very open and sensitive to new sounds she fell in love with a lovers rock anthem SILLY GAMES (Janet Kay), when her friend played it to her for the 1st time.  That made her feel Reggae music even more. She knew from then, that this is what her heart desires. And that this is what she wants to sing. After lovers rock, she got into roots where she was able to express herself as a songwriter.  She calls it: MUSIC OF GRATITUDE – REBELLIOUS SOUL – GOSPEL OF MY HEART – JAHZZ..  Words & “message” are very important for EMiliYAH, as once what is put out in a song it stays forever. Positive vibes which are deeply rooted in Reggae, as she says âsaved her life “.  Her 1st worldwide solo release song “Thank You” & EP ” EASY ” with her band the MightyZ All Stars, was written when she was going through a very difficult time in her life.  She continues her journey writing more songs to influence people with love, hope & faith. Her mission, since she remembers, is to share kindness, respect and positivity in order to make this world a better place.  Currently EMiliYAH and the band are working on a new material to be released very soon, hopefully every month from now, starting with a song ” SUNSHINE ” (1st Dec 2020).  On the side EMiliYAH is working her own riddims and collaborating with different artists under her own music studio (EMZ WORLD MUSIC)  Her 1st project which is already up and running is a duet âNiE” with a friend Nati , also a Polish singer based in UK.  There is much more to come from this duet so as EMiliYAH herself and the band in 2021.
Omar Wilson
Omar Wilson interview on Colourful Radio 01-November-2020
Omar Wilson is no stranger to the music scene and has been performing in NYC and CT clubs for over a decade. Heâs opened for artists like Boys II Men and The Neville Brothers. Growing up in Norwalk CT Omar’s influences included Sam Cooke, Donny Hathaway, Stevie Wonder, Marvin Gaye, James Brown, Lauren Hill, Mary J Blige and old-time soul acts like the Delfonics. His music speaks to his own personal experiences growing up in an urban environment bridging the gap between Hip Hop and Soul.
Growing up 30 minutes from New York City, church members at the Calvary Baptist Church in his hometown of Norwalk noticed his ability to have a spiritual impact through his singing at the age of only 7. While performing regularly in New York, fans gravitated towards his unique, gritty vocals. It was at that point that Omar realized what he was born to do, Soul Music. Omar is a 3-time Apollo winner and was named Best R&B Male of the Year for 2 consecutive years at the Underground Music Awards held at BB Kings in NYC.
Through his journey and struggles Omar has finally come to understand his role as one of the industryâs top new Soul singers. Heâs recorded with Multi-Platinum selling artist Angie Stone and DMX featuring them on songs he wrote. The track he recorded with Miss. Stone is ‘Get to Know You Better.’ Angie Stone was quoted saying “Working with Omar Wilson came naturally and he is one to watch!” DMX is one of the only rappers to have 5 consecutive albums go number 1 on the Billboards and rarely recorded with singers. Omar and DMX released a single called ‘Faith’ and they connected on the track instantaneously which is audibly tangible.
Omarâs personality and voice is contagious. He leaves a long standing impressions wherever he goes, sings and with whoever he meets. Get ready to experience Omar Wilson as he is soon to release his New single âPassionâ coming this fall.
Lukas Setto
Lukas Setto interview on Colourful Radio 25-October-2020
Raised on the essential mix of Michael Jackson, Marvin Gaye & Stevie and the wonders of his DJ Dadâs record collection, Lukas studied popular music at Stanmore College, Middlesex and it was there he was to craft his first composition. Later he explored the collective vocal harmony experience with a boy band but then realised that to graft solo was to be his way forward.
Whilst still in college, Lukas became the recipient of The Urban Music Award for Best Unsigned Artist (under the name of Lee Henry). He celebrated by wowing the audience with his live rendition of the self-penned âYou Know Meâ. Recognition finally for a boy that had excelled at sports, was distracted by the rites of passage of a troublesome youth and then as an adult was redeemed by the power of song.
UMA in hand; as Tru Menace, Lukasâs production pseudonym, he became a remixer for lovers of all forms of urban music. Taio Cruz, who had been a fellow student on his course, sought his creative polish. Soul inspiration Omar as well as international impresario Mark Ronson and Daniel Merriweatherâs âChainsawâ and Jordan Sparks and Chris Brownâs âNo Airâ were to benefit from the Tru Menace treatment. Further accolade was bestowed when âY Did You Leaveâ became a Number One hit with MTV Base for Tru Menace.
He continues to nurture his musical roots collaborating with Shanell, signed to Young Money and penned and co-produced tracks for X Factor Finalist Bradley Johnson from the Group Nu Vibe and Kitty Brucknell – as well as the soul hits âLooking For Loveâ by Michelle Lawson and âPlus Oneâ by Shaila Prospere (#1 UK Soul Chart). 2019 saw Lukas support RnB group Portrait at Stamford Bridgeâs prestigious venue âUnder The Bridgeâ and headline renowned âMargate Soul Festivalâ.
After some trials and tribulations as Jadan Lee – Lukas sought a new chapter, a new direction – an alter ego……. And so we introduce you to Lukas Setto (Setto being a nickname given to him by a friend in college because of his smooth falsetto vocals)!
Currently working in the studio, on music that inspires the soul, whilst exploring âthe dynamics of film musicâ to crossover; Lukas comments on themes inspired by celebrity culture, sex, love and addiction – fusing real life experiences with fiction – which can be heard in his debut single What Turns You On, followed by OMG and Make It Rain, Lockdown and his latest release Do It Again.
Tanqueray Hayward
Tanqueray Hayward interview on Colourful Radio 11-October-2020
Born in Philadelphia in 1978, music was calling Haywardâs name from a very early age. Getting her first taste for the musical spotlight, Hayward started singing in church. Like many legendary singers before her, most notably: Whitney Houston, Patti LaBelle, and Aretha Franklin, the church provides the basics for soul singers when learning breath control, tone and confidence. Hayward has indeed taken notes and passed the class with flying colours.
Growing up and finding her voice, Hayward spent many days and nights belting out the songs from her idols, including âQueen of Hip-Hop Soulâ-Mary J. Blige, the pioneering gospel group, The Clark Sisters and the iconic gospel music great, the late Mahalia Jackson.
After taking a leap of faith and resigning from a medical career, Haywardâs vocal potency landed her the opportunity to record background vocals for pop star Pink and open for internationally-acclaimed gospel artist Marvin Sapp in Philadelphia. In addition, Hayward has shared the stage with Carol Riddick, The Mighty Clouds of Joy, Cedric Napoleon (Pieces of a Dream), Mozaic Flow, Lee Williams and the Spiritual QCâs, The Joy Boyz and Shawn âCocoâ McMillan just to name a few!
Currently, Hayward is enjoying the experience of performing to sold-out crowds at renowned music venues throughout Philadelphia. Haywardâs vocal ability and stage presence are potent for all who dare to experience it without a filter.
Haywardâs performances have been hailed as electrifying within the walls of the tabernacle as well as on stages of acclaimed live music venues. On any given evening, she exudes the gritty tenacity of Tina Turner paired with the sultry vulnerability of British-Nigerian renowned vocal enigma, Sade.
With Hayward serving in the United States Navy, she learned valuable life lessons of self-discipline and an incredible work ethic which has naturally flowed over to her rising music career. As her fan base continues to grow, Hayward has her eyes set on the big picture. âI want to bring back the music thatâs been missing, the music I grew up on! Good soul musicâ she said. âI have a passion for performing and I am working very hard at my craft so that one day I can be a successful recording artist.â
Philadelphiaâs contribution to rhythm and blues, soul and popular music is only rivalled by Detroitâs own Motown, which also birthed a plethora of iconic musical artists. Visionaries Gamble & Huff formed the famed Philadelphia International Records and created a sound known as âPhilly Soul.â So much talent comes out of Philadelphia. From the rich and soul-stirring vocal talents of Patti LaBelle, Phyllis Hyman, Jill Scott and Jazmine Sullivan. To rap/hip-hop music pioneers, The Roots and DJ Jazzy Jeff & The Fresh Prince, the City of Brotherly Loveâs musical influence is first-rate.
Tanqueray Haywardâs artistic impact and contribution to the musical landscape of Philadelphia is now becoming undeniable. Currently recording her highly anticipated debut album, Hayward is working tirelessly to prove herself worthy to be mentioned in the company mentioned above. âOne day soonâ Hayward added. Well, that day is arriving real soon.
Light Of The World (Gee Bello)
Light Of The World (Gee Bello) interview on Colourful Radio 13-September-2020
With a string of classic Brit Funk, Dance Anthems notched up in the late 70’s and early 80’s there is no doubt that Light of the World laid the foundation for the British Dance/Street Soul movement.
Light of the World brought a distinctive blend of funk and jazz influences to the world of R&B from 1979 to 1983 via hits such as the fast-driving âSwinginâ,â the smooth and groovy âLondon Town,â and the majestic ballad, âIâm So Happy.â
Itâs hard to believe that two decades have passed since the band last reunited for 1999âs Inner Voices album. The bands stunning musical prowess carved a formidable reputation both on vinyl and with their live stage work, before the band (initially an 8 piece aggregation) split into 4 units, Beggar & Co, Incognito, Brit Funk Association and Light of the World.
We are picking up right where we left off with a new album led by a creative nucleus of Gee Bello (Vocals/Percussion), Nat Augustin (Vocals/Guitar) and Mel Gaynor (Drums) accompanied by other great British and American musicians.
The new album Jazz Funk Power showcases a unique hybrid which meshes their considerable musical and authentic abilities.
The Jazz Funk Power album came about after realising that many of our favourite bands like Earth Wind and Fire, Incognito, Jamiroquai, Tower of Power, Brand New Heavies, Kool and The Gang and Chic were still enjoying success many decades later.
With our records still being played across national and worldwide radio with digital streaming platforms too, we realised our music also has a timeless quality, therefore Jazz Funk really does have Power and Energy … so it felt right to name the album Jazz Funk Power”.
We are so happy that our music is now available Worldwide at the click of a button and thrilled to be making new music for our fans.
Ed Robinson
Ed Robinson interview on Colourful Radio 23-August-2020
Good music is born out of a desire to tell a story to a wide range of listeners across all walks of life. With his drive and passion for music, International Reggae Artist and Producer, Ed Robinson is bringing reggae music to the world.
Ed Robinson is a musical veteran and icon with a strong and deeply rooted musical background. With music as a priority and driving force in his life, the singer injects his brilliant musicality into every aspect of his life. Robinson began his musical career as a drummer in a school band and showed signs from a very early on of his intense musical talent. Over the years he found himself becoming a key player in many genres of music, including Reggae, Rock, Soul, Hip Hop and R&B.
Robinson is a rare blend of an entertainer, songwriter, music producer, and invigorating performer. He has released over ten albums, each of which displays his immense talent and have helped him to top the reggae music charts throughout his career as an artist. As a producer, he has worked with some of the industryâs most well-known voices, including Dennis Brown, Richie Stephens, Buju Banton, Luciano, Maxi Priest, Super Cat, Snoop Dogg, and many others. Ed Robinsonâs ability to seamlessly transition across various parts of the industry makes him an exceptional person to work with, listen to, and watch perform. Robinson consistently brings a high level of energy, dedication, and hard work to all his musical endeavors.
With over 200 songs and twelve albums in his catalog, Robinson has emerged as one of the most highly sought-after reggae artists in the industry. He debuted his first album on the VP Records Label titled, âOnce Againâ in 1992 with the seminal âKnocking on Heavenâs Door.â He later signed a record deal with MCA Records in the early nineties. Following his deal with MCA Records, Robinson later released both âSky is the Limitâ in 2004 and âSolitudeâ in 2005 which included both classic tracks, âNo More Mr. Lonelyâ and Dennis Brownâs staple âAinât That Lovin You.â In the year 2008, Robinson released the album âThe Awakening,â both written and produced by Jerome Rhodd. Robinson later began working with the Push Broom Gang Label and released âWritten in Stoneâ in 2011. This pivotal album includes major hits such as âOur Heroesâ, âIf I Follow My Heartâ, and âTalking Bluesâ. Robinsonâs track, âOur Heroesâ hit mainstream radio stations, and satellite radio stations across the globe, including SiriusXM Radio. âOn Coversâ, an album where Robinson covers some of the music industryâs legends was released in 2014, also on the Pushbroom Gang Label. Both âWritten in Stoneâ and âOn Coversâ were produced by Luciana Maneri. In the year 2014, Ed Robinson was working concurrently on releasing both âOn Coversâ and the âTribute to John Holtâ, which gave him the chance to pay homage to the late John Holt. This album was produced by Kemar âFlavaâ McGregor. The following year, Robinson released his eighth studio album âYard Magicâ. The hit single, âKool Offâ sat at the top spot in the New York and Florida album charts in late 2015. Following this success, Ed Robinson released several tracks in 2016, including âThinking of Youâ on the VPAL label and âThe Blame Gameâ on the Pushbroom Gang label. In 2017, he produced a Dennis Brown tribute EP containing seven tracks. In addition, he recorded a track entitled “Baby I Will Be There” on Di Jugglin Vol 1 Various Artist Album for JTMC Muzik Label. In 2018, Robinson released âGlory and Praiseâ a stunning gospel album. Presently in 2019, he recorded two singles – one song on the Hush Riddim for JTMC Muzik label ” Go Live Your Life” and an acoustic version of “Suddenly” with both songs making waves across the world.
In addition to his brilliant catalogue of albums and singles, Ed Robinson has displayed an exceptional talent for performing and capturing the heart and soul of the music he sings. He has illustrated a unique ability to connect with his audience through his art. Robinson has performed across the globe, including iconic and thrilling performances at: Reggae Sunsplash in Jamaica, Beres Hammond and Friends Florida Tour, Germany Tour, Four Seasons Cruise with Freddie McGregor and Glen Washington, Caribbean Heritage Month, Ziggy Marley and friends, Rebel Salute, St. Kitts Music Festival, Merritones Annual Event, Reggae In the Mountains, Caribbean Heritage Month, Red Stripe 100th Anniversary, Minnesota Carifest, Jamaica Day, NJ, Caribbean Cultural Fest, Macys Concert Series, and Winter Jam.
Currently and future years to come, the music industry and the world look forward to more groundbreaking music, performances and tours by Ed Robinson. Robinson has brought his music to a new level and has shared his love and passion for creating music for the world.
Ed Robinsonâs new album is âOn Covers IIâ.
Ed Robinson taking music to Infinity and beyond.
Vincent Darby
Vincent Darby interview on Colourful Radio 12-July-2020
Rising Soul Singer Vincent Darby has unveiled his brand new single, âStill Here We Areâ.
Produced in Shaggyâs Big Yard Studios in Kingston, Jamaica, âStill Here We Areâ deploys a chilled, downbeat production that allows Vincentâs flawless vocal prowess to take centre stage. He says,” ‘Still Here We Areâ came from a place of not quite understanding the âsituation-shipâ that I was in; a story about how something can be so good, but also so bad,â.
The single follows a recent performance for the BBC Radio 1 âBig Weekenderâ virtual event, with Darbyâs stock continuing to rise. Having had the continued support of BBC Introducing, his previous release âBaby Oh Iâ was spun on BBC Radio 1Xtra and BBC Radio 1 after being selected as their âTrack of the Weekâ.
A graduate of the acclaimed Birmingham Ormiston Academy, Vincent Darby has been singing regularly from the age of five. He then performed at Birminghamâs O2 Academy in support of Flo Rida, after a record producer watched a video of him performing âFallinâ by Alicia Keys on YouTube. Last year, Vincent released his debut 3-track EP, ‘Baby Oh I’.
âStill Here We Areâ sees the Birmingham artist flex his superb vocal talents to the full. With plenty to come from the soul singer, Vincent Darby is an artist to watch.
B & The Family
B & The Family interview on Colourful Radio 05-July-2020
B and The Family, released their debut single this week on iTunes and all streaming platforms including Spotify and Apple Music, as well as Amazon and Google Play. The energetic and soulful track was co-written by Brian K. Morgan and Katie Goulet, a husband and wife team who also produced the song.
“A Good Time” blends old school production sounds with a contemporary feel, including a driving bass line and an infectious hook. It’s about the joy of spending time with the one you love and letting them know how you feel. “A Good Time” is already seeing early action in the UK, with radio adds and a limited 7″ vinyl release that is quickly selling out.
Brian K. Morgan aka “B” is best known for his song writing and production work with producer and singer Kashif. Morgan is also the guitarist on the hip-hop classic from The Sugar Hill Gang “Rapper’s Delight.” The rest of the band is all relative, with wife Katie Goulet on bass, and their daughter Tayler Morgan-Stephens on drums and Evie Goulet on keyboards.
Toyin Adekale
Toyin Adekale interview on Colourful Radio 28-June-2020
Toyin Adekale singer/songwriter/actress and now author, born in London to West African parents. Toyin had a successful career in music as a singer/songwriter, traveling all over the world, performing for Kings & Queens, Presidents & Prime Ministers and dignitaries. Her platform was as varied as her life from clubs, theatres and stadiums, to Palaces and State buildings such as the Houses of Parliament in London, to the Kremlin in Russia.
Toyin Adekaleâs career started at the tender age of 15 as a solo artist, where she also discovered her gift for harmony. Having sung with nearly all the reggae greats from Dennis Brown and Gregory Isaacs, her gifts were sought by other genreâs where she became vocal coordinator/arranger and backing vocalist to the likes of Soul II Soul, Imagination, Cliff Richard, Maxi Priest and sharing the stage with so many great names too numerous to mention. During Toyinâs solo career she was the fourth member of Boney M (featuring Maizie Williams for 13 years).
In 2005 Toyin Adekale came to the US with her children, putting her career, family and fans behind her to live a somewhat “normal life” of motherhood and a total change of lifestyle. In the first 2 years of Toyinâs transitioning to American life, she also faced some serious life changing challenges, dealing with health, divorce, children and helplessness brought on by life issues. During this time Toyin found a new calling on her life and an overwhelming desire to cause positive change and effect in other peopleâs lives.
Toyin had touched people with her music in the past, but not the way she now desired. Toyinâs writing skills and theatre experience, laced with her musical background was to be amalgamated for that higher calling at last. Toyin was no longer pursuing a career of fame and fortune, she had once tasted. Instead, her new path was now pursuing her.
Toyin Adekale wore many belts as an artist. She had the UKâs first reggae choir âTalithavoicesâ, label and Arts & Entertainments Company, Talithavoices Enterprise, which is an umbrella of all forms of artistic expression in the name of entertaining, whilst improving peopleâs lives. Toyin has finally come to where she believes has been called to, as the pages unfold and her stories are now told in her new book (with a single of the same title “I DO, DO YOU?” (also available on iTunes and cdbaby) Check out other Toyin Adekale CDs on cdbaby. 2012 Toyin sings unto Him a love song âWith You Iâm Born Againâ
2020 see the return of Toyin and her new CD âTHE JOURNEY CONTINUESâ – The devastating loss of Toyin’s 21 year old son, took her on a roller coaster of overwhelming pain, that would take Toyin to a crossroad in her life. Her parting conversation with Bakari (the youngest of her 2 children), was to encourage her to follow the path that he believes God has cut out for her, to continue her music and inspiring others, to get back to her purpose and her passion. All injected into this 14 track album.
Metropolis
Metropolis interview on Colourful Radio 07-June-2020
Welcome to the âCity within the Cityâ, as one of music cultures sought after Meccacities Atlanta serves as the backdrop of the musical story and journey of Alternative Soul group/band Metropolis. The city that has produced more contemporary urban music stars than any other on the map is the city that shaped METROPOLIS.
For Jai Black, Calvin Glass, and Dominic Hall coming of age in Atlanta helped them shape their voices and sound. âMetropolis means the heart of the city, we wanted to be the heart of music and represent every genre of music.â says Jai Black, the de facto leader of the group. âYou donât only have to do one thing rap, R&B, soul, rock, country, blues or alternative whatever you do in the studio and whatever comes out musical creativity, musical freedom is the foundation of what makes musical expression the universal languageâ. Their every genre sound was exemplified on their debut album, The Voyage, released in 2005 The album made the group stars in the UK prompting an extended stay and extensive touring overseas. The UK success prompted a massive response for the artists and allowed them to build a fan base, as well as exposed them to new artists and new sounds. âWe came back inspired and the Metropolis sound expanded, being overseas we became exposed to different music and different sounds, we went into an experimental phase.â The success of The Voyage allowed the opportunity to open for and tour with major artists, they have opened for Mary J. Blige, Fantasia, Carl Thomas, and Omar. Metropolis also opened for Blackstreet and Guy during their UK reunion tour. âWe had big crowds knowing the words to our songs,â the group recalls, âWe still have been able to hold on to that fan base to this day.â The musical journey for Metropolis was far longer, wider, broader, and more colourful than they could of expected. As the winds of change and transition blew across musicâs ever changing landscape the progression of the Metropolis sound continued to evolve. The groupâs passion for creating music set into motion what would later be called âThe Vaultâ, an archive of recorded unreleased studio gems that Metropolis is gearing to release Spring/Summer 2020.
Chyna Nicole
Chyna Nicole interview on Colourful Radio 31-May-2020
Born in New York City of proud Jamaican parents from Waterhouse, (Carl and Yvonne), Chyna-Nicole read the back of Michael Jackson’s album covers at the tender age of 5 and begun her song-writing techniques.
The rich musical culture of Waterhouse is instilled in Chyna although birthed in the US. Her father was the first apprentice to Legendary U-Roy and was an artist himself recording for Legendary Reggae producers Joe Gibbs and Duke Reid. Chynaâs Mom also was a part of the rich musical tradition as REGGAEâS FIRST GRAMMY AWARD WINNING Michael Rose and the group Black Uhuru rehearsed in their back yard in early days.
Chyna Nicole began singing and song writing as a young child heavily influenced by Michael Jackson. Although she was creative, Chyna Nicole was always a scholar. She was awarded the President Ronald Reagan Award during her middle school years for scholastic achievement and was named Valedictorian.
She continued to graduate on the National Honor Society from Kolbe Cathedral. From choreographing dance routines in high school (Connecticut), to recording R&B demos while at Howard University, Chyna’s passion for music remained consistent. Her first release was in 1994 âLove Me Tenderlyâ performed with Lukie D under her fatherâs label, Little C in Kingston, Jamaica.
Chyna was penned the name âChinaâ in high school by friends at Kolbe Cathedral. She renamed her own artist name -Nicole Williams- which on the 1994 release LOVE ME TENDERLY and later changed her artist name to CHYNA NICOLE for future releases.
Upon graduating from Howard University majoring in Radio/TV/Film and working for various media arenas (NY) including Showtime Networks, WNET, VP Records, and Westwood One Radio, she relocated to Kingston, Jamaica to record an album with local producer Carl Williams (her father) in 2000.
Although the album did not materialize, Chyna Nicole obtained the role of a disc jockey at Zip103FM. Her music selection of old school Hip Hop, Reggae and Dancehall with her gravitating personality lead her to be one of the most popular DJ’s in a short time span. She also worked as an Announcer on IRIE FM where she co-hosted The Entertainment Buzz interviewing the likes of Marcia Griffith, Berries Hammond and many more Reggae Icons. With rising popularity, producers welcomed her to record.
Grammy Judge Earle Holder, her chief advisor and mastering engineer, is responsible for getting Chyna Nicoleâs music its first European exposure. Down Beat The Ruler and others also work behind the scenes.
Appointed QUEEN OF THE WATERHOUSE DYNASTY by former manager Fitzroy Francis, as the first female out of this community to rise in the music industry. Her mission is to rebuild the community with resources for the education of children.
Chyna Nicole continued to pursue her educational passion along with music. She continues to teach and lead earning her Masters of Education from the University of New Haven and a Sixth Year Diploma from Southern Connecticut State University.
Because of her scholastic achievement, she joins the likes of distinguished former President Bill Clinton, Desmond Tutu, Elie Wiesel to name a few as a member of the Golden Key International Honour Society.
Chyna Nicole is committed to teaching, learning, leadership and music. She is passionate about arts and education to nurture scholars for life long learning. She continues to show commitment in her daily works.
Support this Independent Artist by purchasing her three productions QUEENS IN THE ARENA – KEMET RIDDIM Various Artists, HIGHER” released in 2016 and “20 Years in the Making & Ready for World. HISTORY as the first all female album drops!
In 2019, Chyna Nicole drops her first Various Artists album production under her label Nico Star Music. The album is titled âQUEENS IN THE ARENA – KEMET RIDDIMâ which features hit maker Nadine Sutherland, Reggae Legend Pam Hall, First Lady of Dancehall Lady Ann, Billboard Helen Rogers, chart hitting Chyna Nicole and many more rising stars!
Lloyd Brown
Lloyd Brown interview on Colourful Radio 29-March-2020
Over the course of the past five decades, Lloyd Brown has
risen to the very pinnacle of his profession, and with a string of hit singles
and critically acclaimed albums to his credit, is now hailed as one of this
countryâs best ever reggae vocalist/songwriter/producers.
Born and raised in London to Jamaican parents, he began his
career in 1979 by dee-jaying in âblues-dancesâ before progressing on fully
fledged sound-systems in the early eighties with London-based sound-systems Jah
Marcus, Exodus and East Man. After taking a sabbatical in Jamaica, he then
joined vocal harmony group Sweet Distortion, who were voted Best Reggae
Newcomers by the readers of Black Echoes in 1984, just prior to their guest
appearance on the BRAFA (British Reggae Artists Famine Appeal) single, Let’s
Make Africa Green Again. Led by Lloydâs namesake and early source of musical
inspiration, Dennis Brown, this record helped raised funds for Ethiopian famine
victims, and remains a milestone of UK reggae history.
By 1987 Sweet Distortion had successfully auditioned for the
part of the Jackson Five in the acclaimed British musical, Black Heroes In The
Hall Of Fame produced by the late Flip Fraser, but split up soon afterwards,
leaving Lloyd free to pursue a solo career. His earliest singles included Music
Medley, Ring Up My Number and The Love In Me, all of them released on Robert
âRibsâ Fearonâs Unity label circa 1987. In the meantime, heâd started
performing more demanding roles with Black Heroes In The Hall Of Fame â most
notably those of Otis Redding, Marcus Garvey, Haile Selassie and Nelson
Mandela. Sharing The Night (produced by the late Junior Frost), then provided
him with his first No. 1 hit, and was voted Reggae Single Of The Year in 1990.
You Can’t Hurry Love, For The Love Of You and Love U Down (his second No. 1
hit, and another Reggae Single Of The Year) soon followed, together with a
version of Otis Reddingâs These Arms Of Mine.
Despite his success with other peopleâs songs, Lloyd was
increasingly writing his own material by this time, as demonstrated on It’s A
Love Thing, which marked the start of his long-standing partnership with Saxon
sound system dee-jay Tippa Irie. Their follow-up smash hit, Stress, caused controversy
since it put into song what many men were thinking about their female partners,
but both singles duly topped the UK reggae charts, then won the duo a
well-deserved contract with Arista, who released their follow-up single, Baby
Mother (another vibrant slice of social commentary), in 1995. An album recorded
for Arista during this period was subsequently released as Combination on
Discotex at the end of 2001 â Lloyd & Tippaâs association with Arista
having ended as unexpectedly as it had begun.
Undaunted by such disappointments and eager to reclaim his
popularity among grassroots reggae fans, Lloyd began recording with leading UK
loversâ rock producers Groove And & Quarter, who issued his debut album,
Straight No Chaser, in 1996. Among the many highlights was A Mother’s Prayer,
which he recorded with a veritable Whoâs Who of UK soul and reggae talent and
dedicated to the memory of his mother, whoâd recently died of cancer. Two other
tracks, Jah Works and Increase The Peace, offered early evidence of the roots
and culture content he was to showcase on his next double CD set, Rhyme &
Reason, which he recorded for Saxon. Prior to its release in 1998, the singles
We Need A Revolution and Power Of Jah had marked a turning point in both his
life and career. His new head of dreadlocks illustrated this change of
direction, and he began writing lyrics with far more spiritual content than
before, even whilst continuing to make sublime lovers rock hits such as Night
Shift, Blackbird and Real Love. He named Buju Banton’s ‘Til Shiloh LP as a
formative influence during this stage of his career, and after announcing that
the emergence of the new cultural artists had taken reggae to a different
plane, said he wanted to sing songs that will uplift people.
His Saxon album thus had transformation at its artistic
core, and with its emphasis on self-penned material, proved a masterly showcase
of his talents. Once Saxon producer Lloyd âMuscle Headâ Francis had decided to
concentrate on his sound-system, rather than production, the durable Mr. Brown
embarked on a run of hits for Jet Star that still shows no sign of abating
three years later. Their most significant triumph to date has been a massively
successful cover of Craig Davidâs Fill Me In, as included on Vol. 2 of Jet Starâs
Pop Hits In A Reggae series. With Fill Me In getting regular airplay in Jamaica
â where Lloyd enjoys widespread support â Jet Star then helped further his
dominance with several other notable single releases, including Hook It Up, Put
It Down and Memories, which like Humanity Part 2 (recorded for Mikey Koosâ ARM
label), is another joyous celebration of old school reggae vibes, and so
steeped in nostalgia, it could bring tears to the eyes.
In-between voicing for Jet Star and making preparations for
his starring role in yet another musical, The Best Years Of Our Lives (starring
alongside the great Pam Hall), Lloyd then began work on an independent project
with former international hit maker Bitty McLean, whoâd served his
apprenticeship with UB40. Aided and abetted by Bittyâs production and
engineering skills, and with his own creative ideas going into overdrive, Lloyd
completed the nucleus of his album Deep at Bittyâs Platinum Suite studios in
Birmingham before adding a choice selection of Jet Star material into the mix.
It was the kind of album only true craftsmen could produce. Its dazzling range
of lyrical perceptions being matched to some of the most enthralling,
contemporary reggae and crossover rhythms heard all year. I Know (inspired by
Bob Marleyâs Kinky Reggae) subsequently became one of 2001âs biggest reggae
hits, even as Deep was being acclaimed as a masterpiece and his best album thus
far. By the time the follow-up, Against The Grain, was released two years later
his tally of hit singles had swelled to include You Must Know, co-starring Don
Campbell; Bless Me and the unstoppable Main Squeeze, which rocketed into the
Reggae Top 5 on both sides of the Atlantic.
Like its predecessor, Against The Grain was another
world-class collection, showcasing tracks like the popular Mr. Brown, Food For
Thought (a version of Aswadâs Warrior Charge); he and Omarâs stunning cover of
Stevie Wonderâs Feeding Off The Love Of The Land and the magical Love Within
The Music, co-starring a galaxy of UK talent. Against The Grain was nominated
for Best Album at the 11th Annual Reggae Soca Awards in Florida; an event that
saw Lloyd being crowned Best Newcomer for the second time in his career. His
next set was Dreams To Remember, produced by Lloyd Campbell and released on VP
Records in 2004. This album, recorded in Miami, yielded four hit singles in the
shape of Bless Me, Since Youâve Been Gone, Heartaches and Bongo Nyah, which
soon gave Lloyd his second Reggae Top 5 hit in New York. Songs like that,
voiced over Lloyd Campbellâs more traditional style reggae rhythms, fuelled
growing demand for his sublime vocal and writing talents in America. Its
success prompted the release of an album shared with Peter Hunnigale as part of
Jet Starâs celebrated Toe 2 Toe series that same year. Here was an album that
made artistic, as well as commercial sense, since both singers epitomise the
best of UK reggae music.
Three of Lloydâs more recent hits were included, namely Full
Hundred, No Watch Dat and the compelling Black Bags, together with other tracks
that inspired comparisons with reggae legend Beres Hammond. Red-hot form like
this saw him embark on a string of European tour dates with Sanchez throughout
the summer of 2004, as he continued on his journey towards some long-overdue
international recognition. His follow-up album for VP Really Together featuring
Fiona was cited by Lloyd as a âtrue labour of loveâ as Fiona was an artist he
really admired and wanted to work with-which proved its point in the finished
product, also with the reggae panel of the Grammys who have shortlisted the
album for nomination for Best Reggae Album 2005. Armed with album number 10
called Said And Done in the bag (entirely self-produced) and his own studio
Riddimworks Production House, truly demonstrated his skills as a producer in
his own right with all he has absorbed culminating thus far.
Further expanding his all-round skills, Lloyd broadened his
Riddimworks âimprintâ on other projects in 2007, co-producing fellow U.K Lovers
King Michael Gordonâs âPoems and Rhymesâ set, also U.K Lovers Queen Donna
Marieâs âNext Chapterâ and various music-video projects showcasing his
extraordinary skills as a director, headed by his truly cinematic offering of
âIâm Sorryâ which co-stars his peer and friend Peter Hunnigale. His eleventh
landmark release entitled Silver, celebrates Lloydâs 25th year in the music
industry and has undoubtedly stood testament in his long and distinguished
career. The albumâs opener âShow Me That You Love Meâ voiced on Tarrus Rileyâs
monster hit riddim âSheâs Royalâ proves that Lloydâs song-writing skills are in
effect and leans not solely on the riddim to carry his songs..far from it. When
he does put pen to paper, as on âFrom The Rootâ, âUp To Youâ, the powerful and
haunting âCharcoal Bridgesâ and the truly wonderful âSeacoleâ, a song
commissioned by Flip Fraser to feature in the hit musical Black Heroes In The
Hall Of Fame, and written about nurse Mary Seacole, the quality shines through
like a beacon, and you remember just how lucky we are having a reggae artist
like him in our midst.
2008 saw Lloydâs appeal grow to a more international status,
amassing fans in Japan, North and South America and numerous territories. In
turn, Lloyd concentrated towards embarking on promotional tours in the U.S,
starting off in California. The tour proved so successful, that he was booked
speedily to tour California again in early 2009. In between time, Lloyd worked
on his twelfth album entitled âBrownie Pointsâ. This album was a slight
departure to material he had recorded before, but nonetheless had the
unmistakable Lloyd Brown imprint that has been skillfully carved throughout his
career. Covers and originals blending beautifully to present another concept
album, headed by 12 various âBrownie Pointsâ describing in song his
observations and also, what makes the man tick. Covers such as âIt Takes Twoâ
duet with Lovers Rock chanteuse Sylvia Tella, Dennis Brownâs âRay Of Lightâ and
Nicky Thomasâ angelic âLove Isâ simply describes what love is in musical terms
so well, that the coldest of hearts will truly melt to it. Originals, such as
the salsa-tinged âLoco Thengâ takes you on a heady trip to Acapulco in the
first two bars, and âForgive Themâ duet with friend and peer Peter Spence takes
you to the hills in Jamaica amongst the Rasta brethren and sistren citing
forgiveness as the way forward for humankind.
Not being a man to rest on his laurelsâŠ.Lloyd released his
thirteenth album entitled âFor Your Considerationâ accompanied by his
Riddimworks Films produced music video “It’s Not About…..” released
thru Riddimworks/Cousins Records November 2009. The album featured hits such as
Dean âCannonâ Fraser production of âKnow Yourselfâ âEmpress One A Wayâ and the
awesome âBadbwoyâ featuring fast rising Dancehall DJs Mr. Williamz and Juxci D
was toured extensively on the US West Coast throughout most of 2010 to crtical
acclaim.
In 2010, Lloydâs consummate consistency had now produced his
fourteenth studio album entitled âCornerstoneâ which was released entirely
independently through his Riddimworks Productions label, which on this occasion
had an American import release, the first for a UK based Reggae Artist. The
seventeen track album boasts a large eleven collaborations, which not only
features long established artists such as Macka B, General Levy, Nereus Joseph,
Rodney P and Top Cat, but also features bright new talents such as Dancehall
act Babyboom, U.S Hip Hop act Krytykal: Thaâ Problem and songstresses Miss Kjah
and Adele Harley. His decision to feature new talent proved wise and fruitful
for all concerned as their respective profiles have raised to further works and
recognition with other producers. Highlights from the album includes, Rootdown
Recordsâ Thilo âTekaâ Jacks produced ska-tinged âShe Nuh Easyâ, Lloydâs self-produced
homage to Joe Higgs with his version of âThereâs a Reward For Meâ and Lloydâs
duet with Miss Kjah on âIn Every Way You Canâ.
2012 saw another landmark year for Lloyd as he had released
his fifteenth 20-track studio album celebrating three decades of making music
simply entitled â30â released in February 2012 via Riddimworks Productions and
Phoenix Music International The standout track which garnered him a Top 3
Reggae Chart hit was the crowd-rocking âGet To Know Yaâ utilizing Dennis
Brownâs seminal Lovers Rock hit âSomeone Specialâ also utilising Bob Marley and
the Wailersâ âCould You Be Lovedâ with his Disco/Reggae rendition of âCatch The
Feeling. Still on the Wailerâs tip, Lloyd collaborated with three of his peers
and friends Don Campbell, Delroy Pinnock and R n B singer Wayne Marshall and
covered the awesome âPass It Onâ from their âBurninâ album A master stroke was
performed when Lloyd collaborated with Diva Grace Jones on the remix of the
Pretendersâ Chryssie Hyndeâs penned âPrivate Lifeâ featuring the Riddim Twins
Sly N Robbie which coincidentally was thirty years old [at the time of
recording] and still sounds fresh today.
2013 had seen a level of ambition not realized by Lloyd
before as he had released TWO albums, the first being his âNew Veteranâ set,
again released via his Riddimworks Productions and Phoenix Music International
which consummately provides the all-round versatility that his peers and fans
come to know and love, featuring highlights such as the roots filled
collaboration with R n B songstress Kele Le Roc entitled âIf You Want Goodâ the
first music video release from the album, also a latin/salsa tinged dancehall
collaboration with the exquisitely lyrical Tanya Stephens on âBada Boom, Bada
Bingâ alongside sparkling solo efforts such as the hits âCrush On Youâ and âMy
Baby Loves Meâ produced by veteran artisans Willie Lindo and Bunny Lee
respectively as well as the moving and awesome posthumous collaboration with
the âCrown Prince of Reggaeâ Dennis Emmanuel Brown with their rendition of the
Eaglesâ country classic âLyinâ Eyesâ.
The second set of the year saw a third party release in
conjunction with acclaimed Florida/Virgin Islands production outfit Zion High
Productions whom Lloyd had recorded various projects with prior entitled
âRooticalâ an entirely original recording project released in October 2013. The
first release from the âRooticalâ set was the haunting and deep âWhat You Sowâ
taking an old time proverb and reiterating it in such a way that it paints a
picture to the mind immediately. Other highlights feature the title track
featuring chanter Pressure Buss Pipe which sets the tone for the whole album in
one fell swoop. Other collaborations such as âHow Could Iâ include rising
artist Yisrael Immanuel, âKeep On Keeping Onâ featuring Jahdan Blakkamoore and
the anthemic âTogetherâ featuring lioness roots singer Queen Omega.
Spring 2014 saw Lloyd return to his productive form with yet
another milestone album entitled âLB50â celebrating his 50th birthday, with a
collection of eighteen varied tracks featuring collaborations with veteran DJ
Sarjant D on his introduction track âFiddyâ, Homefront Productions Patrick
Anthony on joint production and performing collaborations on the sound boy
killing âMy Soundâ and tropically lovers rock tinged âThere You Areâ also the
standout hit track âAll About Youâ featured on the Mighty Diamondsâ âCountry
Livingâ riddim, culminating with the âfather and son duetâ entitled âFaithâ
featuring his son Courtney, his first commercial debut recording.
Autumn 2015 saw the release of TWO albums from Lloyd. The
first being a collection/compilation of sixteen tracks recorded on Studio
One/Treasure Isle/Rock Steady compositions across his eighteen albums called
âFrom The Old Schoolâ featuring two new tracks, one of which was an ode to his
childhood residence and childhood memories entitled âPembroke Roadâ and the
second, a cover of Bob Marley and The Wailersâ âPimpers Paradiseâ.
The second album release of the year saw yet another
milestone for Lloyd, in which he released his twentieth studio album entitled
âTwentyâ a sixteen track project which contained production collaborations with
the late Lloyd Campbell [Joe Fraser] Willie Lindo [Heavybeat Records] David
Simmonds [Heddrokk Productions] David âJah Dâ Goldfine [Zion High Productions]
Patrick Anthony [Homefront Productions] Chris Peckings [Peckings Records] also
performing collaborations with fellow Reggae artists Don Campbell, Peter
Hunnigale on the hymnal âNever Leave You Lonelyâ, Veteran actor and artiste,
the late Count Prince Miller covering comedians Morecambe and Wiseâs âBring Me
Sunshineâ, also Third Worldâs Stephen âCatâ Coore on the beautiful Nyahbinghi
themed âGive Thanks with Praiseâ
2016 saw Lloyd take a sabbatical before releasing his 21st
studio album entitled ‘Vocalist’ in October 2017 to concentrate on producing
his former backing singer Lyn’s first studio album entitled ‘Debut’ released
May 2017 and fellow former Riddimworks Band backing singer Shade Amanâs set
entitled âTravelling Hopefullyâ which was released in November 2017 âVocalistâ
forms an entirely worldly and varied ORIGINAL set from the Reggae icon
featuring production collaborations from Patrick Anthony [Homefront Productions
UK/JA] Carlton ‘Bubblers’ Ogilvie [Nu-Edge Productions – UK] Peter Hunnigale
[Street Vibes – UK] Dominic Gomes [D Rebell Productions – Trinidad] Oliver
Schrader [Silly Walks Movement – Germany] and David ‘Jah D’ Goldfine Andrew ‘Moon’
Bain Laurent ‘Tippy’ Alfred [Zion I Kings/Zion High Productions –
Florida/Virgin Islands]. Also featuring vocal collaborations from Fiona
[US/Jamaica], Aleighcia Scott [Wales] and Babyboom [UK/Jamaica] also touring
his live concerts with his Riddimworks Band.
2018 has seen a busy year for Lloyd in terms of his solo
output of album material, one of which was the extended release of his
âVocalist: Digital Deluxe Editionâ which contains six bonus tracks featuring
collaborations with Adele Harley, Chucky Bantan, Grantie Asher, Jacquie George,
Chardel Rhoden and Dean Fraser and additional productions from Gary âDigitecâ
Lewis, Carlton âBubblersâ Ogilvie and Patrick Anthony.
2019 saw the releases of his 22nd compilation studio album
âCollabs: Vol 1â featuring collaborations with British and international
Reggae, Pop, RnB and Hip Hop artistes such as Don Campbell, Don Ricardo,
Michael Gordon, Paulette Tajah, Grace Jones, Sly n Robbie, Beres Hammond
and Tanya Stephens to name a few [also a debut featuring his son Courtney]
Coupled with his his 23rd studio project album âBrown
and Bubblersâ album featuring ten original riddim tracks built and produced by
the legendary UK Reggae producer Carlton âBubblersâ Ogilvie and original songs
written and performed by Lloyd, exclusively released on Carltonâs âNu-Edge
label and website [www.nuedgemusic.com].
Spring 2020 heralded the release of Lloydâs âlabour of
loveâ various artists 24th studio album project entitled âThe Salute Projectâ
with Lloyd now in the producerâs chair, featuring a wealth of fast rising vocal
talent from the UK, simply re-interpreting [by way of musicality as well as
vocally] some of Lloydâs hits chosen by the artists themselves
The roll call of artists featured in âThe Salute Projectâ
are, Shade Aman, Grantie Asher, Chucky Bantan, Tony Corbin, Garnett Cross,
Harmonie Deja, , Steve âStickzâ Heyliger, JayJayBorn2Sing, Donovan Kingjay,
Mandee, Rafeelya, Stacey Phipps, Kareem Shabazz, Ann Sianab, Simon and ElâTee.
Lloydâs landmark 25th studio album release âTherapyâ sees
Lloyd in a deeply personal light as an album of tracks by way of closure from
his past trials of life as a timely gateway to his progression as an artist,
featuring collaborations with ever rising artist Ras Charmer, Harmonie Deja and
Rafeelya as well as co-production collaborations with Diane Black and Caroline
Williams [Real Talk Productions], Peter Hunnigale [Street Vibes Productions],
Stevie P Productions, Patrick Anthony [Homefront Productions] and Carlton
âBubblersâ Ogilvie [Nu-Edge Productions].
Sophia Brown
Sophia Brown interview on Colourful Radio 15-March-2020
Sophia Brown Going Global Sophia Brown’s first involvement in the entertainment industry was as a dance choreographer in 1986 for Dancehall Pioneers, this was what opened the door to the opportunity for her to showcase her musical talents with the Jamaican Tourist Board, on what was then known as the Appleton Estate Tour. This was the fortuity that gave life to Sophia’s dream of becoming an International & Inspirational acclaimed Reggae Artiste. In 1988, with a network of support she left her home of Parish St. Elizabeth to live closer to Kingston the music capitol of Jamaica in St. Catherine. The beautiful and talented Sophia, standing at a petite 5’3″ was extremely passionate about her music. She persevered and knew that “every journey begins with a first step” taking her 3 years, but she finally realized her passion and released her 1st recording, a single entitled “Jig Me” produced by Outta National in 1992, giving Sophia her very 1st local radio listenership. The song resonated well with reggae music fans, creating an opportunity for Sophia to perform alongside popular International Reggae & Hip-hop Artists Shabba Ranks, Lady Patra, Frankie Paul, Richie Stephens & Doug E. Fresh in BlaBla Town the same month.
In 1992, Sophia performed in the one and only major “Reggae Sun splash” in Montego Bay. This sensational performance was greatly received escalating her career, with a collaboration with the renowned Mad Professor from Europe. This collaboration set in motion this “Lovers Rock Artiste” putting her on a roll. Initially, she landed a recording contract with a Cayman Island Co. Strawberry Records, which was later sold to CMI in 1995. There she was to have had a 4 album deal until the contract was forfeited when CMI declared bankruptcy. This didn’t put the cabash on Sophia she remained focused & formed her own record company called “Music Mecka” with colleague dale Dunkley, both releasing a host of singles during that time, including “Baby Tonight” and “Give it up” which received favorable airplay.
In the following years, Sophia took to the road doing several tours both locally and abroad, including the Tri-state area of NY, Arizona and Virginia. She has performed with such greats as Snoop Dogg, Lil Kim & Ja Rule in 2002, in Norfolk, Virginia. In 2007, on her return to Jamaica, Sophia recorded a single entitled, âLove You Pure” a Reggae/R&B track inspired by a friendâs personal relationship experiences. It was a beautiful song that could have easily been a Valentine’s Day classic.” said a smiling Sophia Brown. A video for this single followed eventually finding its way on the local and E.Strip Video Charts peaking at #3. Sophia continued recording and releasing other hit singles under her “Music Mecka” label before recording her first album “The Spotlight” May 15, 2009, which had an official press launch and success began to knock on Sophia’s door. At the turn of the decade, s he attempted to attract a younger demographic by the release of her new single “Gimme That Good Love” and video.
Sophia was also nominated for the local EME Awards (Excellence in Music & Entertainment) Awards, “Best Female Vocalist” category, while “Gimme That Good Love,” single found its way at the top of the CVM hit list Video Charts.
In January 2010, Brown also met with kids from the Alman Town Primary School in Kingston where she was invited to give a motivational speech. She spoke about the importance of self-esteem. “Their selfesteem is a very big part of anything they do,” she remarked, âwhen they have that they can accomplish anything.” This was important to her, after having lived a difficult life herself.
2010 through 2011 saw a steady increase in both local and U.S. promotional activities for Sophia, with the release of her new singles “Let It Be Me” produced by Cash Flow Productions, “Gimme That Good Love” and “Lovers Rock” produced by her label “Music Mecka.” “Let It Be Me” hit N.Y. and South FL. Top 30 Reggae Single Charts, the debuting entry to the U.S. charts. She also made the Top 100 songs for 2010 in N.Y & South Fl. coming in at #100. Sophia charted in the Top 10 Urban, Chris Coxson Reggae Top 10 on NY Radio and Top 50 Pop for Satellite, College & Internet radio, marking her crossover from Reggae to Reggae-Pop. “Let It Be Me” hit a UK base chart as well.
Sophia continues to climb the international charts and is due to release her, most successful and acclaimed album âCatch Me If You Canâ on Valentineâs Day 2012. âCatch Me If You Can,â is a masterful blend of Hip-Pop, Neo-Soul, and Hip-Reggae. Sophia has transcended beyond the borders of Jamaica to the International scene and is now crossing genres with her beautiful ballads such as âLove You Pure,â and âIâm the Rose.â Sophia has already planned a number of press launches to promote the release of âCatch Me If You Canâ in NY, Jamaica, in Barbados at the Reggae Festival and in Los Angeles with many more venues in the works.
May 2017 Sophia met with kids from Ascot Primary school in Portmore, St. Catherine where she represents as an artiste, she spoke with them on their career day and share with them her experience and steps to being an artiste.
2017 and Sophia Brown is ready again for the world with her newly release album âChangeâ, as the name stated , this is a turning point for the songstress towards a higher level in the music business âChangeâ is a compilation of great Reggae beats and Jamaican culture and can best be describe as smooth, soulful, sexy, and inviting. You are going to be drawn by songs like ; âNever Felt like this beforeâ by Sophia Brown and Gregory Issac, âLove zone â and â Sexy Reggae !
Ms. Brown sees this opportunity of âChangeâ as the entry into her global movement. She is determined to make a difference in the world and in the lives of the children of Jamaica. Unfortunately, July 2017, Sophia met in an accident on her way to a show in Baltimore USA which puts her tour on pause, but that did not stop her from her passion she continues to record even though it was very hard for her but she persevere . 2019 she capped another award for best lovers rock reggae award from the Lady Flava network award . She also reinvented herself with new Singles alongside Ginjah âChangesâ which reflects on the state of Jamaica.
2020 she is back!!!! with her EP and singleâ Baby when you Leftâ which is now taking the airwaves by storm both locally and internationally.
So Catch Sophia if you can! Wherever she may be, in Europe, Asia, the United States, Caribbean, Australia or Africa!
The Real Thing
The Real Thing interview on Colourful Radio 08-March-2020
Best known for their legendary hits âYou To Me Are Everythingâ, âCanât Get By Without Youâ and âCan You Feel the Forceâ, as well as their ground-breaking 1977 song, âChildren of the Ghettoâ, The Real Thing remain Britainâs most successful black group of all-time. Pioneers in soul, funk and dance music, the two original members â Chris Amoo and Dave Smith â are now celebrating over 45 years in the music industry. Still gigging across the world, the bandâs success and longevity is unprecedented in British entertainment history.
Although The Real Thing were established in Toxteth, Liverpool, L8, in 1972, the band actually has its roots in Sixtiesâ vocal harmony group, The Chants; Britainâs first black acapella quintet, established by Chrisâ older brother Eddy. A chance meeting with Paul McCartney at a Little Richard concert at the Tower Ballroom in Birkenhead, led to The Chants being invited to audition for The Beatles at Liverpoolâs famous Cavern Club.  The Beatles were so knocked out by the groupâs sound that they invited the boys to appear with them that same night, much to the reluctance of their manager, Brian Epstein, who didnât want his group being backed by anybody. Thanks to John Lennonâs persistence, The Chants were a resounding success on stage, and for a brief time, Epstein represented them. The band was signed to Pye Records by Tony Hatch, but despite touring for 13 years The Chants were unable to achieve the same level of success as their âMerseybeatâ peers. Throughout his time performing with The Chants, Eddy honed his burgeoning songwriting skills, which were to stand him in good stead for his next musical collaboration.  Whilst Eddy was busy with The Chants, his younger brother Chris had been watching intently. Inspired by his elder sibling, Chris formed his own vocal group, extravagantly-called The Sophisticated Soul Brothers. The band consisted of Chris and his friends Dave Smith, Ray Lake and Kenny Davis (and later joined by Edward Ankrah, younger brother of Joe Ankrah, from The Chants). The S.S.B. began to pick up gigs and were soon brought to the attention of legendary A&R man Tony Hall, who drove up to Liverpool from London to see them perform. He signed them immediately, but decided they needed to change their name. Sitting in his car one day at traffic lights at Piccadilly Circus, Tony looked up the famous Coca-Cola advertising slogan blinking above him and made his mind up immediately. In January 1972, The Real Thing were born.  Within days, the band was appearing on long-running ITV talent show âOpportunity Knocksâ, presented by Hughie Green. The guys performed a cover version of âGrazinâ the Grassâ, and easily won the show, getting the highest score for their episode. The band were the very first all-black group to appear on a TV talent show, but sadly, that pioneering TV performance no longer exists in the archives, having been wiped in the 1980s.  Tony Hall guided his new band through the often-treacherous labyrinth of the music business, acting as their mentor and never once losing faith in the foursome. Just three months after their âOpportunity Knocksâ appearance, The Real Thing released their debut single, âVicious Circleâ, written by Eddy. Tony was handed a cassette of tunes Eddy had composed, whilst in The Chants, and was so impressed with his songwriting skills that he requested even more original material. Released on EMI records in April 1972, âVicious Circleâ was a hard-hitting âconscienceâ song, in the mode of The Temptationsâ âCloud Nineâ. Although it didnât chart, the song gained plenty of airplay and positive reviews from the predominantly white music press.  Eddy became a regular at The Real Thingâs recording sessions, often contributing instrumentation and extra vocals. The bandâs second single, âPlastic Manâ, was released in January 1973; just weeks after the group had represented the UK at the lavish âGala de lâUnicefâ, held in Paris. The concert was later broadcast in 14 countries around the world. âPlastic Manâ earned the group their first appearance on BBC TVâs âTop of the Popsâ, but it was spoiled somewhat when DJ Jimmy Savile erroneously announced the group as â⊠the Plastic Men singing their new single, The Real Thing!â  Eddy and Chris Amoo had now formed an unbeatable songwriting partnership and manager Tony Hall realised success ultimately lay with the band being able to come up with their own distinctive sound. Other single releases came in quick succession, including âListen Joe McGintooâ, âCheck It Outâ, âDaddy Dearâ, and âLove Is A Playgroundâ. Kenny Davis exited the band in 1974, and for a while The Real Thing continued as a trio, performing with a formidable group of musicians including Vic Lynton (guitar), Nigel Martinez (drums), Pete Nelson (keyboards), Earl Lee Robinson (bass) and twin brothers Jon and Dave Plotel (bass & guitars). At the time, The Real Thing wanted to establish themselves as a tight soul/funk âunitâ, similar to Earth, Wind and Fire or Funkadelic.  After the demise of The Chants, Eddy Amoo joined The Real Thing full-time, making the band a quartet once more. The group signed with Pye and released a brilliant new single â âStone Cold Love Affairâ â written by Ron Roker and Gerry Shury, which became a big club hit both in Europe and the US. Through producer Jeff Wayne the group was introduced to singer David Essex, who instantly loved the bandâs look and sound, and invited them to contribute backing vocals to his 1975 album, âAll the Fun of the Fairâ. Essex also wrote and produced their next single, âWatch Out, Carolinaâ, released in September 1975. Jeff Wayne engaged Eddy, Chris, Dave and Ray to sing on the soundtrack of his forthcoming concept album, âWar of the Worldsâ. Chris took lead vocals on iconic track âForever Autumnâ, but before the project was released Wayneâs negotiations with Pye Records broke down, and the bandâs soulful vocals were replaced by a variety of other singers, including Justin Heyward from The Moody Blues.  The Real Thing toured with David Essex extensively, including his American âLamplightâ tour, and exposed the band to a more mainstream pop audience. Whilst in the US they even headlined at the famous âBottom Lineâ club in New Yorkâs Greenwich Village, performing with three of the hottest black musicians in the city â John Lee, Reggie Lucas and Jerry Brown, who had all played with Miles Davis. In early-1976 the boys appeared on Essexâs latest single âCity Lightsâ and co-starred with him in the video, shot in Londonâs West End.  Naturally, The Real Thing were still looking for that elusive big hit single and then, quite suddenly, their fortunes changed forever. Hugely popular songwriters Ken Gold and Michael Denne contacted Tony Hall, requesting that they write a song for the band. The British duo had already enjoyed success across the Atlantic, with Aretha Franklin, Billy Ocean and Jackie Wilson, but were now looking for a home-grown hit. Gold & Denneâs publishers had, inexplicably, ignored their latest composition, and Tony Hall asked that The Real Thing be allowed to record it. The song was called âYou To Me Are Everythingâ.  The record was laid-down at Camdenâs famous Roundhouse Studios, with Lynton Naif doing the arrangements. Lynton had recently worked on Maxine Nightingaleâs global chart-topper âRight Back Where We Started Fromâ and was highly sought-after. Everybody knew immediately that âYou To Me Are Everythingâ had âhitâ stamped all over it. Released on 14 May 1976, the song was picked up immediately by BBC Radio One and gradually crept up the charts during that scorching, record-breaking summer, selling some 30,000 copies per day.  The band performed the song five times on âTop of the Popsâ in 1976 and it eventually knocked The Wurzelsâ âCombine Harvesterâ off the #1 spot. It remained at the summit for three solid weeks and was the first number one hit for an all-black UK group. âYou To Me Are Everythingâ has subsequently been recognised as the 69th most played record of all-time in Great Britain, and is listed by the Guinness Book of Hit Singles as one of the top 100 songs of the millennium.  The follow-up song, again written by Gold and Denne, was nearly as successful. âCanât Get By Without Youâ was released on 27 August 1976 and reached number two in the UK charts, remaining in the top forty for 10 continuous weeks. On the strength of their second big hit single, the band released their self-titled debut album in November 1976, produced by Jerome Rimson, later to be a member of short-lived US band Atomic Man.  Aside from the two Gold/Denne hits the remainder of the album was solely filled with original Amoo Brothers compositions â a huge gamble, but one the band felt they needed to take if they were going to be recognised as a serious group. A 19-date tour around the UK promoted the album, culminating in a âhomecomingâ gig at the Grafton Rooms in Liverpool.
The bandâs next single â âYouâll Never Know What Youâre Missingâ â comfortably sailed into the top 20 in January 1977, and gave Eddy and Chris their first bona fide hit as songwriters. The Real Thing capped a hugely successful 12 months by winning the âBest New Groupâ gong at the âDaily Mirror Awardsâ, held at Bingley Hall, Birmingham. The ceremony was headlined by Paul McCartney, who Eddy hadnât seen for well over a decade.  June 1977 brought a brand new song, the beautiful âLoveâs Such A Wonderful Thingâ. Despite only reaching #33 in the UK, the single shifted some 90,000 copies, and 25 years later Eddy and Chrisâs faith in the song was justified when it was first sampled by French DJ duo Daft Punk for a white-label bootleg, and then two years later by The Freeloaders for their single âSo Much Love to Giveâ. The dance track became a smash with clubbers in Ibiza, and across Europe, eventually reaching #9 in the UK charts.   âLoveâs Such a Wonderful Thingâ was intended as the first cut from the bandâs sophisticated second album, â4 from 8âČ (shorthand for âfour lads from Liverpool 8â). The collection of 10 self-penned songs was indeed ambitious, with the lyrics touching on many social issues facing the working class black community at that time.  Pye Records threw all their weight behind an extensive marketing campaign to promote the LP. âTo Get Close to The Real Thing, Get 4 from 8â shouted the advertising posters, but The Real Thingâs ambitious change from pure pop to proper politics was not always to a mainstream audienceâs taste. Frustratingly, the addictive driving percussion of next single âLightning Strikes Againâ didnât make it a hit, despite massive airplay. It also appeared on the soundtrack to Britainâs very first all-black movie, âBlack Joyâ (1977), in which the band also had a cameo appearance, singing at Count Suckleâs celebrated Q Club in Paddington.  The real strength of â4 from 8âČ, however wasnât the more commercial-sounding tracks, it was the awe-inspiring âLiverpool 8 Medleyâ â a tryptic of stunning, melodic songs, speaking directly from the streets of Toxteth. The trio of âLiverpool 8â, âChildren of the Ghettoâ and âStanhope Streetâ were light years ahead of their time, and totally unique in British music, being the first home-grown soul music to properly address the experience of black people in the UK.  Music magazine, âBlack Echoesâ reviewed the album in July 1977 and heaped praise on the songs. âThe band continually delights,â they wrote, âand the singing on the Liverpool 8 Medley is superbâŠâ Ironically, âChildren of the Ghettoâ, although never promoted to single status, has enjoyed the greatest longevity of any Amoo composition. It was first covered by Phillip Bailey (from Earth, Wind and Fire) on his Phil Collins-produced âChinese Wallâ album (1984), as well as by Courtney Pine (1986) and Paul Hardcastle (2006). Additionally, since 2002, the song has appeared regularly on the set-list for Mary J Bligeâs live concerts, and features on her 2004 collection, âLive in Los Angelesâ (2004)  The group reverted to a poppier sound for their January 1978 mid-tempo single, âWhenever You Want My Loveâ, composed by old favourites Ken Gold and Michael Denne, and returned them to the UK top 20, and two appearances on BBC1âs âTop of the Popsâ. The single acted as a taster for the bandâs third album, âStep Into Our Worldâ, produced by Ken Gold, with superb brass arrangement by Lynton Naif. The Amoo Brothers regard one of the albumâs stand-out tracks, the super-smooth âWonât You Step Into My Worldâ, as one of their finest ever songs. The album begat another amazing single, âRaininâ Through My Sunshineâ in August 1978, which sold 80,000 copies in its first week, and features one of Chrisâs strongest-ever lead vocal performances.  The bandâs other hit single of 1978 was âLetâs Go Discoâ, written and produced by prolific Indian musician Biddu Appaiah for the soundtrack of massively-successful âXâ-rated movie âThe Studâ, starring Joan Collins. The band also made an energetic appearance in the movie performing the track.  A few months later, in January 1979, came âCan You Feel the Forceâ, penned by the Amoo Brothers, and the song that propelled them back into the top 5 all across Europe. The band considered this to be one of the greatest moments of their career, and a song which they are still immensely proud of. By the end of the decade, The Real Thing had established themselves as Britainâs best-selling black band of all-time.  A string of other singles followed, including âBoogie Down (Get Funky Now)â, âGive Me Your Loveâ and âSaint or Sinnerâ, all recorded for the bandâs fourth album âSaints or Sinnersâ, released in January 1980, and produced by Frenchman Jean-Phillipe Illiesco (who had produced the huge Euro band Space). Sadly the collaboration was not to be a happy one. After moving from Pye Records to the Calibre label, The Real Thing released one of the best dance tracks of their entire career, the Michael Jackson-influenced âSheâs a Groovy Freakâ, produced in America by James Mtume & Reggie Lucas. The song packed dancefloors across the UK.  The 1980s were a time of mixed fortunes for the band. The group returned to working with David Essex, performing backing for his 1982 hit âMe and My Girl (Nightclubbing)â and accompanying him on his controversial 1983 tour of South Africa, which, in the era of apartheid, they now consider one of the very few regrets of their entire career.  The Real Thing were saved in February 1986 when âYou To Me Are Everythingâ re-entered the European charts in a brand new remix by DJ Froggy & Simon Harris, eventually reaching #5 in the UK. With renewed interest in the band, they followed it with new hit remixes of both âCanât Get By Without Youâ and âCan Feel the Forceâ, plus a Best Of collection returning them to the charts, primetime TV and national radio for the first time in several years. The groupâs rebirth prompted a new record deal with Zomba, which produced a brand new single âStraight to the Heartâ, co-written by Michael Denne, and released in October 1986. Three further songs emerged from the bandâs time with Zomba â the sublime âHard Timesâ, a beautiful re-recording of âChildren of the Ghettoâ and a cover version of âI Canât Help Myself (Sugar Pie, Honey Bunch)â, all released throughout 1987.
Unfortunately, Ray Lakeâs personal problems were starting to create difficulties, and he left The Real Thing in 1991. He died nine years later, aged just 48. For 26 years the group continued as a trio â Eddy, Chris and Dave â performing live across the world to their incredibly loyal fan-base, which sustained them musically and creatively. In 2005, the group were invited to appear on ITVâs âHit Me Baby, One More Timeâ, where they performed an astonishing new version of Justin Timberlakeâs âCry Me a Riverâ. The same year they recorded an updated arrangement of The Beatlesâ âEleanor Rigbyâ, for the critically acclaimed âLiverpool Number Onesâ album. It remains one of Sir Paul McCartneyâs favourite ever cover versions of his songs. Â Today, The Real Thing are still in enormous demand; their touring shows (complete with a live five-piece band) still entertain audiences almost every week of the year. In 2013 the group captured their live show on CD and DVD with âLive at the Liverpool Philharmonicâ, which has been hugely acclaimed. As recently as October 2016 The Real Thing travelled to Australia for their first ever tour Down Under, wowing theatres with their legendary energetic shows. Sadly, in February 2018, Eddy Amoo passed away at the age of 73. His presence is hugely missed, but Chris and Dave continue to tour and their legacy as Britainâs premier black group endures. Their unique reputation for hits, musicality and showmanship carries on.
Tony Anthony
Tony Anthony interview on Colourful Radio 01-March-2020
Mark Bennett, aka âTony Anthonyâ was born in St Catherine, Jamaica. He started pursuing singing at the age of 14, when his meeting with reggae crooner Glen Washington at a high school concert became the catalyst for his entry into music. Â In his early years he honed his skills in Jamaica as a guitarist and vocalist in awardwinning reggae band Crucial Vibes; working alongside reggae icons such as Jimmy Cliff, Shaggy, Third World, Beres Hammond, Junior Reid, Jackie Mitoo, Foundations, Jack Ruby and Morgan Heritage to name a few. Â In 1992 Tony Anthony migrated to Canada and formed the reggae outfit Tatix who went on to win numerous Canadian reggae music awards and gained a JUNO award nomination in 1996 for the album âTime Bombâ.
The following year he was recruited to be a member of soul group After Dark With whom he flexed his songwriting flair and his vocal magic to their first single âTook me for Grantedâ which became a hit on the Canadian and European dance scene. Tony wrote most of the songs on the groupâs acclaimed debut album âAfter Dark.â Â In 2007 Tony Anthony returned to his reggae roots recording two singles âMark and the Beastâ and âYuh Nuh Simpleâ that immediately made an impact and won him world acclaim as both songs were heavily rotated and charted on reggae radio worldwide. Â In 2010 Tony Anthony independently released his first solo album âMillion Chanceâ. The album and 3 singles âTornâ, âBad Newsâ and âLove you so muchâ all topped reggae charts in Canada, Jamaica, Italy, Kenya, Gambia, Holland, New York, Florida, and The U.S Virgin Islands. The album debut on the Italian reggae album charts on February 15th 2011 and remained for one year. Â âMillion Chanceâ was nominated in the âBest Reggae Recordingâ category in the 2011 JUNO Awards and he also got a nomination at the 2011 EME Awards in Jamaica in the âBreak through artist of the yearâ category. That same year at the 2011 Canadian Reggae Music Achievement Awards Tony Anthony won the awards for âBest male vocalistâ, âBest songwriterâ, âBest singleâ and âBest Reggae Albumâ. Â In 2012 Tony Anthony and top reggae producer Kemar âFlavaâ McGregor produced and released his celebrated EP âBlessed Loveâ which includes hit singles âLiving in Gloryâ and âSettle Downâ. That same year he continued to bring his music to the world touring the U.S.A, Canada, the Caribbean and embarked on a European tour with stops at the Exit Festival in Serbia, Slovenia, Montenegro and Holland to rave reviews. Â Tony Anthony sophomore album âLive To The Fullestâ was released late 2014. He toured Europe for eight weeks performing in countries like Belgium, Holland, Germany, England and France to much acclaim. Â The songs on this album continue to highlight and coagulate the essence of his lyrical and vocal potency and itâs a matter of time before he is rightly rated alongside the best in reggae music. Â His latest album âThen Now & Foreverâ released in October 2019 has been gathering accolades near, far and wide. It won the Best Reggae Album category at the 2019 Bright Star Awards in the UK. It was also voted number 4 on the Top Ten Reggae Album for 2019 by the Foundation Radio Network in the USA. Two singles from the album has gained number one status in New York, Canada, and South Florida. âThen, Now & Foreverâ is currently on regular rotation on radio in Canada, the UK, USA , Jamaica and creating a huge buzz worldwide.
Omar
Omar interview on Colourful Radio 16-February-2020
The musical history of British soul pioneer Omar is renowned â the Lyefook family has musical talent embedded deep in their DNA, Omarsâ father Byron worked as a studio musician and drummer with Bob Marley, Horace Andy and even The Rolling Stones. Omarsâ younger brother, the Grammy winning producer, remixer and DJ professionally known as Scratch Professer has been making jaws drop since the age of 13, stunning the crowd at the 1988 DMC UK Finals with his turntable skills. Samia Lye-Fook (Omarâs sister) is a renowned vocalist in her own right, and a BRIT School alumna, then thereâs their big brotherâŠ.Omar. Born October 14, 1968, in London but raised in Canterbury, gifted, prolific and considered a musical prodigy; Omar learned his craft classically, playing the trumpet, piano, bass guitar and percussion. A former principal percussionist of the Kent Youth Orchestra and later a graduate of the Guildhall School Of Music, Omar has been making music for more than 32 years. Back in 1985 he released his first single âMr Postmanâ on his father Bryonsâ Kongo label, which was also the original home for his first album, which contained the track that changed everything⊠âThereâs Nothing Like Thisâ. That album was re-issued by Gilles Peterson on his Talkinâ Loud imprint in 1991. This album established Omar as a stand out and unique artist, with âThereâs Nothing Like Thisâ hitting the charts, so began a musical chain of events that has continued unabated up to the present day. The follow up âMusicâ, a vastly more orchestral and organic affair that highlighted Omarâs maturing as a composer, arranger and vocalist. Aside from the memorable title song, standout tracks included the still requested Get To Know You Better and the brilliant duet with his new Freestyle Records label mate Carleen Anderson, âWho Chooses The Seasonsâ. Soon after Omar signed to RCA, for whom he cut two further albums that notched up acres of critical acclaim, as well as introduced him to several of his musical heroes and heroines. On the1994âs âFor Pleasureâ album, this includes some of Omarâs most prolific songs such as âSaturdayâ, âOutsideâ and the Erykah Badu favourite âLittle Boyâ. He worked alongside the legendary former Motown producers Leon Ware and Lamont Dozier creating this masterpiece of an album. On â97âs âThis Is Not A Love Songâ, this was largely a collaboration with LA-based producer David Frank, he did a great cover of The Stranglersâ âGolden Brownâ and got to sing with one of his all-time favourite vocalists, Syreeta Wright on two songs, including the sumptuous slowie âLullabyâ. By 2000, Omar had moved on again, this time signing up with hip French imprint NaĂŻve Records. The following year, now well established as the leading icon of the UKâs resurgent soul movement, Omar released his fifth album, âBest By Farâ, a self-produced album, which he allowed his interest in cinematic soundtracks and jazz to shine through. Once again, the star names turned out on the album version of âBe Thankfulâ; a re-cut of the William DeVaughn seventies soul hit, featured Erykah Badu. A long time fan of Omarâs she came good on her word and jumped at the chance to feature on this track. Meanwhile MOBO winner Kele Le Roc supplied the strident lead on the anthemic groove âCome Onâ. 2006 saw the release of âSing (If You Want It)â which featured contributions from US rapper Common, Angie Stone and U.K. artists Rodney P and Estelle â but his crowning achievement was obtaining the Stevie Wonder duet âFeeling Youâ. It is, of course, a major coup for any UK recording artist to be able to call on the services of a musical legend like Stevie Wonder. The simple truth is that Stevie has been a fan of Omarâs music since he first heard Tâhereâs Nothing Like Thisâ back in 1992 â the same year he promised to write Omar âhis first number oneâ. The 14-year wait turned out to be well worth it when, one day, Stevie called Omar out of the blue and told him he was in London and had just what heâd promised. A jam session later and the irrepressibly funky and melodic âFeeling Youâ, with Stevie on vocals and keyboards, was born. Several years passed whilst Omar wrote more original music for the follow up album, but he also moved into acting, developed and performed his one-man stage play, did voiceovers, collaborated with all manner of likeminded artists â and then in 2012 received notification that he was to be awarded an MBE for services to the British Music Industry â a rare accolade for an artist who was never overly focused on commercial chart success. In July 2012 â legendary soul boy, DJ and sports presenter Mark Webster contacted Freestyle A&R man Greg Boraman to tip him off that Omar had the new album completed and was looking for a new label. Boramans âspeed of lightâ email response could have won a Guinness Book Of Records title for the worldâs fastest and most excitedly positive email in all history and so the discussions beganâŠ. Omar-MBE-733×10242013âs âThe Manâ was heralded by all as an amazing return to form, and rated as Omarsâ strongest album of his career â the title track, released as a single signposted all the archetypal components people have come to expect from an artist as original and unique as Omar. Rave reviews and a renewed interest and energy greeted this new music â and of course, suitably timed was Omarsâ trip to Buckingham Palace to finally collect his MBE from Prince Charles, âPrince Charles, said âDo drop off a copy of your new albumâ ⊠âWill doâ I said!. I am absolutely chuffed to bits. I want to dedicate it to all my die-hard fans who have always told me to keep on doing what Iâm doingâ And true to his word â Omar has kept doing just that. Aside from making weekly appearances on BBC Television in Javon Princeâs comedy show, touring the world, recording and performing as one 5th of The British Collective and of course, supporting Stevie Wonder at 2016âs epic and unforgettable Hyde Park concert. 2017âs new release âLove In Beatsâ is Omarsâ 8th studio album and may just be the most diverse and varied to date; incorporating Caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz and spoken word. It also features collaborations with US soul legend Leon Ware, highly regarded Blue Note pianist Robert Glasper, rapper Ty, Guadeloupe born singer Jean-Michele Rotin, UK soultress Natasha Watts, The Floacist and Mayra Andrade, the Cape Verdean born singer who lives and records in Paris. Mainly recorded at his own Backyard Studio in South London, his unique voice, multi -instrumental and production skills, really come through on âLove In Beatsâ. With the help of his brother Scratchâs productions skills they have brought forth a new collection that may just be the most beautifully formed and career defining album of all. âThis is an album of a labour of love between myself and my Grammy award winning brother The Scratch Professor. It is filled with powerful songs and mesmerising beats â that is Omar music and my brothers sound, it is truly âLove in Beatsâ January 2020 and finally Omar gets a full career spanning âbest ofâ album. Omar – The Anthology is a 33 track collection from right across the UK Don’s career – all the classics, plus deep cuts and archive finds! Features guest appearances from Stevie Wonder, Leon Ware, Erykah Badu, Robert Glasper and Carleen Anderson. When asked to reflect on his long, successful, critically acclaimed and deeply influential career that shows no signs of slowing up, Omar said “I feel blessed. I try to keep things moving and evolving, and when I finish an album, I always put my heart and soul into it. I’m looking at it from an outsider’s point of view, because I never really see myself making the music. It’s like I’m the vessel and somebody’s controlling what I do, I just happen to be the one that gets the praise for it”. That modest statement just re-enforces the fact that Omar is simply a one off, a genuinely unique artist. That is a bold claim, but his sound is so immediately identifiable, that you will know you are hearing an Omar track within seconds – and that is the stamp of true originality. This collection features many of his classic collaborations, from his evergreen worldwide anthem There’s Nothing Like This, It’s So, the dance floor destroying banger inspired by the amalgam of sounds Omar heard at The Notting Hill Carnival. Also included are lesser known, slept on tracks from across his long career – and the exclusive, previously unheard tracks Pass It On ft Terri Walker and Long Time Coming
Westerhall Rums UK
Westerhall Rums UK, Annabel Kingsman interview on Colourful Radio 12-Jan-2020
In the Southern Caribbean, on the South East corner of Grenada, lies the beautiful Westerhall Estate.
Since the early 1700s it has been producing sugar cane, coconuts, bananas and limes. Most importantly, over the centuries the family at the estate have developed a unique approach to the blending and bottling of rum.
Westerhallâs location on Grenada, the âSpice Isleâ, means our rum is infused with a unique range of flavour notes. Weâre now proud to say that we can promise quality and taste that canât be found anywhere else.
But more importantly, we are right at the beating heart of Grenadian culture, and the result is a selection of rums with a range of individual tastes and aromas that scream sun, summer and carnival.
D.C.R.
D.C.R. interview on Colourful Radio 05-Jan-2020
D.C.R. is Dawn Claudette Rose. A Soulful RnB singer / songwriter of
Jamaican parentage born in Manchester but raise in London surrounded by music
in her home, which included reggae, soul, gospel and Motown. The likes of
Gladys Knight, Whitney Houston, Bob Marley and Janet Jackson, to name a few,
had a massive influence on her ever growing love for music and entertainment.
D.C.R. started writing poetry at age 9, which then developed into
songwriting. She would create songs and use other Artists instrumentals as a
backing track, from the flip side of an LP and record her vocals over the top,
using her dads Hi Fi system and plug in a microphone he had. Sheâd record all
her vocals onto cassette tape.
D.C.R. would do this regularly in her spare time, as if it were her own
recording studio. Then play the songs back to herself later. In her mid-teens
she was obsessed with Hip Hop music and Rap, as well as the culture. Her
favorite influences being NWA, Run DMC, MC Lyte, Nice & Smooth, Redman ,
Leaders of the new school and many, many more. She started to write her own rap
lyrics and incorporated them in her songs.
D.C.R. was also a natural born street dancer and performed regularly at
school and home for fun, but then decided to form a dance crew, with her friend,
making a good name for herself, performing as open acts for rappers such as
Naughty by Nature and Nice & Smooth. She was creative with her fashion
sense and had her own unique style, so would create a lot of her own outfits to
perform in.
At age 17 D.C.R. attended Westminster College to study Fashion and
Design, as her love of designing clothes and fashion styling grew. She thought
she would pursue that side of the fashion world, whilst dancing at live shows
in her spare time. D.C.R. completed her fashion design diploma and loved it,
but realized whilst there, her heart was still deeply in singing and
songwriting, so she went on to study Performing Arts. Whilst there she gained
more experience and confidence in singing and performing on stage, as well as
acting and contemporary dance. She excelled in Performing Arts, but left just
completing her first year, as she decided to travel to Canada to pursue her
dreams overseas.
Canada
Whilst in Canada Dawn lived with her Uncle for 2 years. She attended
Barbizon Academy, which was a model and talent school. This helped her get
various auditions for modeling and TV work, which was good exposure for her and
led onto her working with a music producer named Sam. They worked together in
the studio, writing and creating music with a hope to release. D.C.R performed
some of her own songs at various music events, but still wasnât getting the
recognition she craved, so after some long thought, she decided to move back
home to London.
London
D.C.R. realized he only way to pursue her dreams, was to create them
herself by putting her own music out for the world to hear with her debut EP
âD.C.R.â,
which is a collection of soulful, RnB tracks with cool swing beat vibes
and a hint of hip hop.
D.C.R. 2019
single releases: âPositive Vibesâ and âOld Skoolâ.
MS1 Project
MS1 Project interview on Colourful Radio 24-Nov-2019
The main nucleus of the group Is UK DJ – Mike âDJ Blueâ
Harrison â Principal songwriter, Percussion, Producer and George âGEOâ Harrison
â Bass, co-production and signwriting.
âThe two are brothers have been around music for a long time. Owing to the fact that their Father is a gospel singer and prominent music promoter in the 70âs bringing visiting acts over from the USA and the Caribbean.
âMusic was all around the household, anything from Soul, Motown, Reggae and even Popular music.
Mike was always creative writing poems ,rhymes and playing percussion. Then in turn crafting basic ideas into full songs.
âGEO is also musically creative playing Bass, keyboards and guitar. He also does session work for other acts.
âMusic plays a very important part in our livesâ .
Donovan Kingjay
Donovan Kingjay interview on Colourful Radio 27-Oct-2019
Donovan Kingjay was born in South East London to Jamaican parents. Although his family was not particularly musical, it was obvious that he had a talent. At the age of 19, he made hisfirst public appearance at a local community show and hasnât looked back since. The early sound system that Singjay (His original name) used was owned by Fred Locks and Frankie One Love of King Original Sound. It was Fred Locks who renamed him. Fred said âHow did you get the name Singjay and you a straight singer?â, I replied, âItâs a nickname from a long time. Sing like a Jay Birdâ. Fred say âFrom today de I, you get the crowning of Kingjay from nowâ. This was in 2005. His early recordings were under the name of Singjay.
Donovan eventually came to the attention of Sugar Minott. who referred to him as his godson, and who had become a huge influence on him. Donovan thought of him as a big brother. Only Jamaica releases so far was âNever Too lateâ, on his Youthman Promotion Label in the year 2000.
Donovan has released numerous singles with different producers over the years and has currently got 4 releases. âI wishâ on Bandcamp, Double-A and AA Red Vinyl Release. âBlack Liberation / Great Steve Bikoâ, âEach One Teach Oneâ, all creating a storm at this time. The next single, âNever Giving Upâ, is due to be released August 2019, and several singles are awaiting in the pipeline awaiting producers.
Donovan Kingjay has two albums under his belt, âHigher Meditationâ and âNatural Livingâ, and his next album on the Black Legacy label is scheduled for release at the end of 2019.
Donovan is constantly on the road performing, especially in Europe, where he recently headlined March 2019 at The Grounds in Rotterdam, the Netherlands, to a sell out crowd.
Donovan is gradually climbing the ladder of success and is going to be around for a very long time.
Victor Haynes
Victor Haynes interview on Colourful Radio 20-Oct-2019
Victor Haynes has created a reputation as one of the UKâs most reliably versatile soul and jazz singers. A popular blend of standards and original compositions for concert venues, private parties, restaurants, hotels, clubs and corporate events â whether on stage, in the spotlight, or in the background â entertaining audiences with upbeat dance sets or performing laid-back classics for background ambience.International appearances have stretched from Europe to New York, he has supported âAâ list stars for their UK shows and his five well reviewed albums have climbed the soul sales charts.
Victor Haynesâ versatile body of work made him a âone-callâ when artists like Edwin Starr, The Drifters, Curtis Mayfield, The Temptations, The Real Thing and The Crusaders needed the perfect support act for their UK shows. His international reputation for urbane style has built over three decades of performing at premier concert venues like Manchesterâs Bridgewater Hall, clubs, hotels, restaurants, corporate events, private parties and residencies. His versatile professionalism switches comfortably from solo gigs to singing with sax player Dean Houston or his up-tempo Motown-influenced âMainstreetâ band.
Victor is available as a soloist ⊠or with northwest sax legend Dean Houston ⊠or with his own up-tempo Motown-influenced band âMainstreetâ. And his bespoke selections of soul, jazz and American swing numbers can include touches of blues and reggae too. As up-tempo or relaxed as you need him to be. Victor Haynes is one of the most respected names in UK soul music. A smooth and sophisticated vocal style that merges soul and jazz classics with original compositions. Timeless ⊠or modern. Slow, easy listening backgrounds of laid-back soul ⊠or faster, up-tempo dance sets.
Since then Victor has polished his relaxed interpretation of classic American jazz, swing and sweet soul music from Al Green, Marvin Gaye, Nat King Cole and Duke Ellington through to Luther Vandross and George Benson. Thereâs likely to be some edgy blues too. Even touches of reggae. Victorâs albums have climbed the UK soul charts and his work, at home and abroad, has included appearances in New York, France and Italy. Heâs rubbed shoulders with the Rothschild family, the Duchess of York, Nigella Lawson, Dannii Minogue, Mel B and sporting legends from Mike Tyson and Wayne Rooney to Chris Eubank and Frank Bruno.
Back in the day â when a professional singing career first
tempted him away from his own business designing and making jewellery â he
moved to London and worked with major league soul stars like Jaki Graham, David
Grant, Heatwaveâs Derek Bramble and Rod Temperton. But, back in Manchester, it
was his songwriting and recording partnership with keyboard player Pete May
that began to attract attention, radio airplay, a recording deal and a series
of acclaimed albums. Victor Haynes is as comfortable on stage in the spotlight
as he is in the background. Usually solo. Sometimes with Dean Houston. And, yes
⊠he still sings out with âMainstreetâ.