Omar interview on Colourful Radio 16-February-2020

Born October 14, 1968, in London but raised in Canterbury, gifted, prolific and considered a musical prodigy; Omar learned his craft classically, playing the trumpet, piano, bass guitar and percussion. A former principal percussionist of the Kent Youth Orchestra and later a graduate of the Guildhall School Of Music, Omar has been making music for more than 32 years.
Back in 1985 he released his first single âMr Postmanâ on his father Bryonsâ Kongo label, which was also the original home for his first album, which contained the track that changed everything⊠âThereâs Nothing Like Thisâ. That album was re-issued by Gilles Peterson on his Talkinâ Loud imprint in 1991. This album established Omar as a stand out and unique artist, with âThereâs Nothing Like Thisâ hitting the charts, so began a musical chain of events that has continued unabated up to the present day.
The follow up âMusicâ, a vastly more orchestral and organic affair that highlighted Omarâs maturing as a composer, arranger and vocalist. Aside from the memorable title song, standout tracks included the still requested Get To Know You Better and the brilliant duet with his new Freestyle Records label mate Carleen Anderson, âWho Chooses The Seasonsâ.
Soon after Omar signed to RCA, for whom he cut two further albums that notched up acres of critical acclaim, as well as introduced him to several of his musical heroes and heroines. On the1994âs âFor Pleasureâ album, this includes some of Omarâs most prolific songs such as âSaturdayâ, âOutsideâ and the Erykah Badu favourite âLittle Boyâ. He worked alongside the legendary former Motown producers Leon Ware and Lamont Dozier creating this masterpiece of an album.
On â97âs âThis Is Not A Love Songâ, this was largely a collaboration with LA-based producer David Frank, he did a great cover of The Stranglersâ âGolden Brownâ and got to sing with one of his all-time favourite vocalists, Syreeta Wright on two songs, including the sumptuous slowie âLullabyâ. By 2000, Omar had moved on again, this time signing up with hip French imprint NaĂŻve Records.
The following year, now well established as the leading icon of the UKâs resurgent soul movement, Omar released his fifth album, âBest By Farâ, a self-produced album, which he allowed his interest in cinematic soundtracks and jazz to shine through. Once again, the star names turned out on the album version of âBe Thankfulâ; a re-cut of the William DeVaughn seventies soul hit, featured Erykah Badu. A long time fan of Omarâs she came good on her word and jumped at the chance to feature on this track. Meanwhile MOBO winner Kele Le Roc supplied the strident lead on the anthemic groove âCome Onâ.
2006 saw the release of âSing (If You Want It)â which featured contributions from US rapper Common, Angie Stone and U.K. artists Rodney P and Estelle â but his crowning achievement was obtaining the Stevie Wonder duet âFeeling Youâ.
It is, of course, a major coup for any UK recording artist to be able to call on the services of a musical legend like Stevie Wonder. The simple truth is that Stevie has been a fan of Omarâs music since he first heard Tâhereâs Nothing Like Thisâ back in 1992 â the same year he promised to write Omar âhis first number oneâ. The 14-year wait turned out to be well worth it when, one day, Stevie called Omar out of the blue and told him he was in London and had just what heâd promised. A jam session later and the irrepressibly funky and melodic âFeeling Youâ, with Stevie on vocals and keyboards, was born.
Several years passed whilst Omar wrote more original music for the follow up album, but he also moved into acting, developed and performed his one-man stage play, did voiceovers, collaborated with all manner of likeminded artists â and then in 2012 received notification that he was to be awarded an MBE for services to the British Music Industry â a rare accolade for an artist who was never overly focused on commercial chart success.
In July 2012 â legendary soul boy, DJ and sports presenter Mark Webster contacted Freestyle A&R man Greg Boraman to tip him off that Omar had the new album completed and was looking for a new label. Boramans âspeed of lightâ email response could have won a Guinness Book Of Records title for the worldâs fastest and most excitedly positive email in all history and so the discussions beganâŠ.
Omar-MBE-733×10242013âs âThe Manâ was heralded by all as an amazing return to form, and rated as Omarsâ strongest album of his career â the title track, released as a single signposted all the archetypal components people have come to expect from an artist as original and unique as Omar. Rave reviews and a renewed interest and energy greeted this new music â and of course, suitably timed was Omarsâ trip to Buckingham Palace to finally collect his MBE from Prince Charles, âPrince Charles, said âDo drop off a copy of your new albumâ ⊠âWill doâ I said!. I am absolutely chuffed to bits. I want to dedicate it to all my die-hard fans who have always told me to keep on doing what Iâm doingâ
And true to his word â Omar has kept doing just that. Aside from making weekly appearances on BBC Television in Javon Princeâs comedy show, touring the world, recording and performing as one 5th of The British Collective and of course, supporting Stevie Wonder at 2016âs epic and unforgettable Hyde Park concert.
2017âs new release âLove In Beatsâ is Omarsâ 8th studio album and may just be the most diverse and varied to date; incorporating Caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz and spoken word. It also features collaborations with US soul legend Leon Ware, highly regarded Blue Note pianist Robert Glasper, rapper Ty, Guadeloupe born singer Jean-Michele Rotin, UK soultress Natasha Watts, The Floacist and Mayra Andrade, the Cape Verdean born singer who lives and records in Paris.
Mainly recorded at his own Backyard Studio in South London, his unique voice, multi -instrumental and production skills, really come through on âLove In Beatsâ. With the help of his brother Scratchâs productions skills they have brought forth a new collection that may just be the most beautifully formed and career defining album of all.
âThis is an album of a labour of love between myself and my Grammy award winning brother The Scratch Professor. It is filled with powerful songs and mesmerising beats â that is Omar music and my brothers sound, it is truly âLove in Beatsâ
January 2020 and finally Omar gets a full career spanning âbest ofâ album. Omar – The Anthology is a 33 track collection from right across the UK Don’s career – all the classics, plus deep cuts and archive finds! Features guest appearances from Stevie Wonder, Leon Ware, Erykah Badu, Robert Glasper and Carleen Anderson.
When asked to reflect on his long, successful, critically acclaimed and deeply influential career that shows no signs of slowing up, Omar said “I feel blessed. I try to keep things moving and evolving, and when I finish an album, I always put my heart and soul into it. I’m looking at it from an outsider’s point of view, because I never really see myself making the music. It’s like I’m the vessel and somebody’s controlling what I do, I just happen to be the one that gets the praise for it”.
That modest statement just re-enforces the fact that Omar is simply a one off, a genuinely unique artist. That is a bold claim, but his sound is so immediately identifiable, that you will know you are hearing an Omar track within seconds – and that is the stamp of true originality.
This collection features many of his classic collaborations, from his evergreen worldwide anthem There’s Nothing Like This, It’s So, the dance floor destroying banger inspired by the amalgam of sounds Omar heard at The Notting Hill Carnival.
Also included are lesser known, slept on tracks from across his long career – and the exclusive, previously unheard tracks Pass It On ft Terri Walker and Long Time Coming